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INSTITUTO CERVANTES MARRAKECH MARZO 2021: Ciclo de cine en línea Espacio femenino. Pioneras

Cine en línea

En este mes de marzo, dedicado a la mujer, el Instituto Cervantes de Marrakech te invita a ver el ciclo de cine en línea «Espacio femenino. Pioneras» dedicado a las primeras directoras del cine español: Ana Mariscal, Pilar Miró, Margarita Alexandre, Josefina Molina y Cecilia Bartolomé, cinco cineastas esforzadas que rodaron sus cintas desde la honestidad y el compromiso a pesar de que los tiempos jugaran en su contra.

PROGRAMA

Segundo López, aventurero urbano, de Ana Mariscal (1953)
Del 9 al 11 de marzo
La gata, de Margarita Alexandre (1956)
Del 12 al 14 de marzo
El crimen de Cuenca, de Pilar Miró (1979)
Del 16 al 18 de marzo
Función de noche, de Josefina Molina (1981)
Del 19 al 21 de marzo
Después de…: No se os puede dejar solos, de Cecilia y José Juan Bartolomé (1981)
Del 23 al 25 de marzo
Después de…: Atado y bien atado, de Cecilia y José Juan Bartolomé (1981)
Del 26 al 28 de marzo

¡No te pierdas el mejor cine español!

Todos los títulos estarán disponibles en el canal de Vimeo del Instituto Cervantes durante 48 h a partir de las 20.00 h del primer día de las fechas señaladas.

Canal Vimeo : https://vimeo.com/showcase/angelamolina  

Las cinco películas que este año conforman el ciclo no muestran solamente el trabajo y la propuesta estética de las mujeres pioneras cuyos nombres recuperamos: cada película supone un interesantísimo retrato y una particular mirada hacia la España de su tiempo, por lo que el programa tiene, además, el excepcional interés del recorrido histórico, desde 1953 a 1981, que nos ofrece.

«Espacio femenino. Pioneras» es en este 2021, en que el Instituto Cervantes celebra su 30º aniversario, la mejor carta de presentación del talento de cinco cineastas esforzadas, que rodaron sus cintas desde la honestidad y el compromiso a pesar de que los tiempos jugaran en su contra.

 

Las películas

Segundo López, aventurero urbano

España, 1952

Ficción, 80 min

Versión original: castellano

Calificación: No disponible

Dirección: Ana Mariscal

Producción: Bosco Films

Guion: Ana Mariscal y Leocadio Mejías (Novela: Leocadio Mejías)

Fotografía: Valentín Javier

Montaje: Margarita Ochoa y Francisco García Velázquez

Música: Antón Apruzzese y Rafael Franco

Intérpretes: Severiano Población, Martín Ramírez, Ana Mariscal, Luisita Esteso, Tony Leblanc, Mariano Azaña, Matilde Artero, Carlos Fernández Cuenca, Manuel Mur Oti, Leocadio Mejías, José Luis Alonso, Adela Carboné, Emilio González de Hervás, Ángel Jordán y Ernesto Lapeña.

Sinopsis: Un honrado hombre de provincias llega a Madrid sin dinero y traba amistad con una serie de pintorescos personajes, con quienes vivirá toda clase de peripecias urbanas.

Texto promocional: La actriz Ana Mariscal inicia en 1952 su carrera como directora con esta comedia en la que se percibe la influencia de la estética neorrealista pero también la tradición de los personajes picarescos, a los que dota de una notable humanidad. En ella, la cineasta — cuya empresa de producción, Bosco Films, realizará más de una docena de películas— narra la historia de un hombre de provincias, ya madurito y analfabeto, que tras la muerte de su madre decide vender el modesto negocio familiar e ir a Madrid a probar suerte.

La gata

España, 1956

Ficción, 94 min

Versión original: castellano

Calificación: No disponible

Dirección: Margarita Alexandre y Rafael Torrecilla

Producción: Nervión Films

Guion: César F. Ardavín

Fotografía: Juan Mariné

Montaje:  Alonso, Mercedes

Sonido: Hugo Donarelli

Decorados y ambientación:  Enrique Alarcón

Música: Miguel Asins Arbó; guitarristas: Manuel Hernández y Aureo Herrero; cantaores: Juan Varea y Perico «El del lunar».

Asesor taurino: Álvaro Domecq

Intérpretes: Aurora Bautista, Jorge Mistral, José Nieto, Nani Fernández, José Guardiola, Felipe Simón, José Sepúlveda, Francisco Arenzana, Santiago Rivero, Rafael Calvo Revilla, Tomás Torres, Manuel Aroca, María Saco, Alberto San Martín, Antonio García Quijada, Juan Segovia, María Estrella, Manuel Regueira, Paco Martínez, Mariano Martín Carriles y Guillermo Méndez

Sinopsis: María, la hija del mayoral de un cortijo andaluz, apodada «la Gata», se enamora de uno de los trabajadores del cortijo, quien arrastra cierta mala fama y sueña con ser torero.

Texto promocional: Esta hermosa tragedia, donde el campo andaluz y la vida de los cortijos es vista desde una estética pictórica y con un desarrollo de personajes insólito en el cine español de la época, fue la segunda película que Margarita Alexandre —actriz, directora y activa productora tanto en España como en la Cuba revolucionaria o en la Italia de los «años de plomo»— codirigió con Rafael Torrecilla.

El crimen de Cuenca

España, 1979

Ficción, 90 min

Versión original: castellano

Calificación: No recomendada a menores de 18 años.

Dirección: Pilar Miró

Producción: Jet Films e In-Cine

Guion: Lola Maldonado Salvador y Pilar Miró (basadas en una idea de Juan Antonio Porto)

Fotografía: Hans Burmann

Montaje: José Luis Matesanz

Dirección artística:  Alarcón y Enrique

Música: Miguel Asins Arbó

Intérpretes: Aurora Bautista, Jorge Mistral, José Nieto, Nani Fernández, José Guardiola, Felipe Simón, José Sepúlveda, Francisco Arenzana, Santiago Rivero, Rafael Calvo Revilla, Tomás Torres, Manuel Aroca, María Saco, Alberto San Martín, Antonio García Quijada, Juan Segovia, María Estrella, Manuel Regueira, Paco Martínez, Mariano Martín Carriles y Guillermo Méndez

Sinopsis: En 1913, Gregorio Valero Contreras y León Sánchez Gascón, amigos y vecinos de Osa de La Vega (Cuenca) son detenidos como autores de la muerte de José María Grimaldos López, quien ha desaparecido del pueblo sin dejar rastro. El pueblo y las autoridades les acusan, pese a no contar con pruebas concluyentes. Los dos hombres terminan por confesar el crimen tras haber sido sometidos a torturas. [La película narra una historia real ocurrida en la década de 1910.]

Texto promocional: Dirigida por la excepcional Pilar Miró, cuya valentía no dejó de ocasionarle enfrentamientos con las autoridades, esta película de 1979, basada en una historia real ocurrida en la década de 1910, supuso un verdadero escándalo en la España de la época, que vivía sus primeros años en democracia. El relato terrible de un crimen sin resolver y la búsqueda de sus culpables puso a la directora —mito en la historia de la cultura cinematográfica española— frente a los tribunales de justicia, que consideraron que «podía ser delictiva contra el Cuerpo Judicial y la Guardia Civil».

Función de noche

España, 1981

Documental, 90 min

Versión original: castellano

Calificación No recomendada a menores de 13 años

Dirección: Josefina Molina

Producción: José Sámano

Guion: Josefina Molina, José Sámano. Fragmentos de la adaptación teatral de la novela Cinco horas con Mario de Miguel Delibes

Fotografía: Teo Escamilla

Montaje: Nieves Martín

Sonido:  José María Roldán

Música: Alejandro Masso y Luis Eduardo Aute

Intérpretes: Documental. Intervenciones de: Lola Herrera, Daniel Dicenta, Natalia Dicenta, Daniel Dicenta, Luis Rodríguez Olivares, Margarita Forrest, Jacinto Bravo, Francisco Teres, Santiago de las Heras, Antonio Cava, Demetrio Sánchez y Juana Ginzo.

Sinopsis: La actriz Lola Herrera representa todas las noches la obra de Miguel Delibes Cinco horas con Mario. A medida que pasa el tiempo, reflexiona sobre el personaje que interpreta, Carmen Sotillo, y sobre las similitudes que encuentra entre su vida y la suya propia. Encerrados en su camerino, Lola Herrera y Daniel Dicenta, separados tras varios años de matrimonio, conversan y analizan su vida en común y su evolución como individuos.

Texto promocional: La puesta en escena de la obra Cinco horas con Mario en los años ochenta, protagonizada por Lola Herrera, dio la posibilidad a la directora Josefina Molina de realizar un experimento de tintes documentales inéditos que reflexionaba sobre la educación sentimental de la generación de la posguerra española. Los paralelismos y las diferencias entre la actriz y el personaje que interpreta corre paralela al encuentro con su exmarido con el que mantiene una larga conversación catártica que pone al descubierto las heridas y los traumas.

Después de… No se os puede dejar solos

España, 1981

Documental, 90 min

Versión original: castellano

Calificación: Apta para todos los públicos.

Dirección: Cecilia Bartolomé y Juan José Bartolomé

Producción: Producciones Cinematográficas Ales S. A.

Guion: Cecilia Bartolomé y Juan José Bartolomé

Fotografía: José Luis Alcaine

Montaje: Javier Morán

Sonido: Bernardo Menz

Música: Temas musicales: Madrugada, 6 por electrón y Jayeche, de Vystas Brenner; y canciones populares.

Intérpretes: Documental. Locutor: José de Juanes. Con la intervención de Enrique Tierno Galván, Santiago Carrillo, Felipe González, Adolfo Suárez y Marcelino Camacho, entre otros.

Sinopsis: Iniciada tres años después de la muerte de Franco y finalizada un mes antes del frustrado golpe de Estado del 23 de febrero de 1981, Después de… es una película documental donde se muestran algunas de las claves de la crisis social y política con que se enfrenta la democracia española, ya que recoge los cambios registrados tras la muerte de Franco, las reacciones de los españoles ante la nueva situación y los problemas que plantea una democracia nacida, sin ruptura, de la dictadura anterior.

Texto promocional: Un pequeño grupo de cineastas, liderados por los hermanos Bartolomé, se lanzó a la calle en pleno comienzo de la Transición para recabar las opiniones de políticos y los ciudadanos al respecto del país que estaba por conformarse. Hoy, este trabajo documental es un verdadero hito que define la historia del cine en España, pues todos sus testimonios permiten comprender la pluralidad de una sociedad joven que meditaba sobre cómo pensar su pasado y construir su futuro.

Después de… Atado y bien atado

España, 1981

Documental, 99 min

Versión original: castellano

Calificación: Apta para todos los públicos.

Dirección: Cecilia Bartolomé y José Juan Bartolomé

Producción: Producciones Cinematográficas Ales S. A.

Guion: Cecilia Bartolomé, José Juan Bartolomé

Fotografía: José Luis Alcaine

Montaje: Javier Morán

Sonido: Bernardo Menz

Música: Temas musicales: Madrugada, 6 por electrón y Jayeche, de Vystas Brenner; canciones populares.

Intervenciones de Violeta Parra, Victor Manuel, Rafael Alberti, José Sacristán, Ana Belén, Aurora Bautista, Emma Cohen, Rosa León, Paco Ibañez, Santiago Carrillo y Felipe González.

Sinopsis: Esta película se realizó entre abril de 1979 y finales de 1980, tres años después de la muerte de Franco. Durante aquellos meses, los directores trataron de reflejar los sentimientos y opiniones de la calle tras la transición de la dictadura a la democracia. Así como los conflictos que amenazaban la normalización democrática y que culminaron en el intento de golpe de Estado del 23 de febrero de 1981, poco después de finalizada la película.

Texto promocional: Segunda parte del documental Después de…, «Atado y bien atado» presenta la sensibilidad que había en distintos ámbitos de la sociedad española en su joven democracia con respecto a su futuro, donde subyacía el miedo de un sector ultraconservador ante la construcción un país distinto y que ya anunciaba el intento de golpe de Estado de febrero del 81. Sin duda, esta obra —que no pudo estrenarse hasta 1983— ubica a Cecilia Bartolomé y a su hermano como unos precursores del documental social que tendrá un enorme desarrollo y que hoy sigue siendo crucial en la producción cinematográfica española.

 

 

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